Drying Olive Wood for Turning

Olive wood from California orchards is prone towards developing cracks and checks very easily.  It is a beautiful wood and it is stable once it has dried.

Here is what has worked for me in dealing with olive wood for turning. I recommend that you have some Green Wood Sealer on hand.

Anchorseal Green Wood Sealer

I brush green wood sealer over the entire piece of olive wood, which means the ends (number 1 priority and it is best to double coat them) as well as the faces and sides. Keep the olive wood in a cool dark place for long term storage, away from the sun and the wind.

I like to twice turn bowl, vessel blanks or any object that I turn from green wood.  Here is the procedure I follow:

1)  The first rough turning is to shape the object and get it down to a wall thickness somewhere between 1 inch to 1 and a half inches thick. As soon as I have completed the rough turning, I completely submerge the bowl or object in denatured alcohol. I have found that using a heavy duty contractors 3 mil garbage bag works well for conserving the amount of alcohol needed. Place the object in the bag and fill it with denatured alcohol (available at all hardware and paint supply stores for thinning shellac etc.) until the object is completely submerged, then close and secure the bag with a rubber band or spring clamp. Allow it to set for 24 hours. The alcohol will displace the bound water inside the cell walls of the wood. Take it out and place it upside down on a rack and let it drip dry for another day with a paper bag over it to block air movement. Look for the start of any checks and if you see any then apply CA glue (cyanoacrylate) over them right away. The CA glue will adhere to wet wood and stop the checks from progressing.

  2)  To further prevent checks, I paint the object completely with green wood sealer again.

This will slow down the drying process.  Usually the alcohol treatment will dry the rough turned object within 2 weeks which is great, and then you can remount the piece and do the final turning and sanding and finishing. Since olive wood likes to check and crack easily, I have found it is worth the extra effort to paint it with green wood sealer (after the alcohol treatment) so that it slows the drying process and helps to minimize any cracks. This can slow the alcohol drying process down to 1 or two months but it is worth it to prevent those darn cracks.

 3)  Once the wood is dry (I use a moisture meter to check it and look for a 10 percent moisture content) then you can remount it on the lathe and do the final turning, sanding and finishing.

Another method to measure dryness is to weigh and date the rough turning and mark it on the wood.  Keep weighing it and once it stops losing weight it should be dry.

If cracks have occurred, then I sand some of the olive wood with 220 grit sandpaper, take the dust and mix it with slow setting epoxy, and use it to fill the cracks.  I also like to use black dye (mixol) and mix it with slow setting epoxy to fill any bark inclusions, knots or other areas where it seems appropriate.

 Fine work requires extra effort.  Put in the work and your pieces will reflect that effort.

 I wish you all the best in your wood turning,

Desert Woodturning Roundup Mesa, AZ 2013

Last weekend I demonstrated at the Desert Woodturning Roundup in Mesa, Arizona. I had 6 rotations, 2 on combining metal with wood, 2 on gilding turned vessels and 2 on creating patinas on vessels.

David Marks doing demonstrations at DWR

David Marks doing demonstrations at DWR

David Marks demonstrates gilding Japanese maple leaves with 22 Karat Gold against a silver leaf background

David Marks demonstrates gilding Japanese maple leaves with 22 Karat Gold against a silver leaf background

"Desert Urn" is the title of this 81/2" tall x 51/2" diameter hollow vessel I turned. It combines silver inlay into the pernambuco and ebony rim at the top.  I gilded the lower body of the vessel with silver leaf and did a patina finish over it.

“Desert Urn” is the title of this 81/2″ tall x 51/2″ diameter hollow vessel I turned. It combines silver inlay into the pernambuco and ebony rim at the top. I gilded the lower body of the vessel with silver leaf and did a patina finish over it.

There was a great line up of Demonstrators :

J. Paul Fennel who lives in Scottsdale and does some amazing pierced and carved hollow vessels.

J. Paul Fennell's wood turned and carved vessels

J. Paul Fennell’s wood turned and carved vessels

Richard Raffan from Australia who is one of the best known turners in the world with several books and videos that have won critical acclaim.

Richard Raffan on stage turning a bowl for the Desert Woodturning Roundup

Richard Raffan on stage turning a bowl for the Desert Woodturning Roundup

Molly Winton who has earned her fine reputation for her surface embellishments of wood burning, carving, texturing, and coloring.

Molly Winton's beautiful turned carved and dyed hollow vessel

Molly Winton’s beautiful turned carved and dyed hollow vessel

Malcolm Tibbetts famous for his incredible segmented turnings that boggle the imagination and his book and numerous DVDs on the subject.

Malcolm Tibbetts' amazing segmented turned sculpture

Malcolm Tibbetts’ amazing segmented turned sculpture

Michael Hosaluk who is a member of Canada’s Royal Canadian Academy of Arts  and is well known world wide for his incredible creativity not to mention turned and burned baseballs.

Thin turned madrone burl bowl by Michael Hosaluk

Thin turned madrone burl bowl by Michael Hosaluk

Matt Monaco, a production turner (and fellow drummer) who lives in Arizona whose work is influenced by Mexican, Southwestern, and African cultures.

Nested bowls by Matt Monaco

Nested bowls by Matt Monaco

John Lucas from Tennessee, who is well known for his turned hand mirrors, sculptural turnings, articles on wood turning, and photography.

Turned hand mirror and other pieces by John Lucas

Turned hand mirror and other pieces by John Lucas

Here are some photos of the work I demonstrated.

Wood and metal turnings by David Marks, some are demo pieces which are not completed

Wood and metal turnings, some are demo pieces which are not completed

Demo sample of gilded fish. Silver leaf with chemical patina.

Demo sample of gilded fish. Silver leaf with chemical patina.

The instant Gallery had numerous works of art with a wide range of talent.

These are some very fine miniature turnings by Hans Finsterwalden

These are some very fine miniature turnings by Hans Finsterwalden

Dale Gillaspy's very creative wood turning titled "Pouring Wine"

Dale Gillaspy’s very creative wood turning titled “Pouring Wine”

Beautiful Olive wood bowl turned by Ken Lappegard in the Instant Gallery at DWR

Beautiful Olive wood bowl turned by Ken Lappegard in the Instant Gallery at DWR

Malcolm Tibbetts and I were asked to be available to give critiques to those who wanted them in the Instant Gallery.

Malcolm Tibbetts and David Marks giving helpful critique to Dale Gillaspy in the Instant Gallery at DWR

Malcolm Tibbetts and David Marks giving helpful critique to Dale Gillaspy in the Instant Gallery at DWR

I want to personally thank Dale Gillaspy and the entire crew of volunteers from the Arizona Woodturners Association  who worked really hard and did an excellent job of organizing this event.

I will be teaching a 3 days hands on group class on Gilding & Chemical Patination at my school here in Santa Rosa, CA on August 16 – 18, 2013.  For the class description and registration, go to the Classes Section of my website:   Classes

If you cannot make it to my Gilding & Chemical Patination Class, I do have a DVD that I sell from my estore at my website that gives step by step instructions on the process:  Gilding & Chemical Patinations DVD